The acclaimed journalist Naomi Klein’s latest book is an incendiary balm that strives to unite us against those forces working against our well-being and to offer us hope for our collective future.

Workers and labor have long been represented in film, from the first film projected for a paying audience (Louis Lumière’s 1895 documentary short “Workers Leaving the Lumière Factory”) to the massive output of movies of today’s various movie producers.

Michelle Tea redefines autobiographical fiction by paring it down to its emotional core and dressing it back up as a work of beauty that never loses sight of the balances an artist must achieve in order to both create and to survive. And the cameo appearance by Matt Dillon is just icing on the delicious cake.